All posts by Indesign Media
Wisteria

Carter Williamson Architects

Wisteria is a contemporary timber addition to a restored Federation bungalow in Sydney’s inner west, showcasing simplicity and purity in design. The light, airy pavilion, crafted in Victorian ash, seamlessly connects the indoors with the outdoors. A double-height void in the living space enhances this connection, allowing sunlight and air to flow freely between the upstairs private areas and the downstairs communal spaces.

The open-plan living, kitchen, and dining areas extend onto an east-facing deck, shaded by a wisteria-clad pergola that frames garden views, creating an ideal setting for both entertaining and enjoying daily meals in the sun. The addition is thoughtfully integrated with the original structure, featuring a wide stair that leads into the new space, wrapped in timber, fixed glazing, and adjustable louvres for optimal cross-ventilation.

Small gardens flank the stairwell, serving as light wells that separate the old and new sections of the home while inviting natural light and breezes into the interior. The carefully organized plan maintains a bright, spacious quality, fostering informal interactions within defined spaces. The material palette emphasizes simplicity, creating a warm, bright, and calm interior that harmonizes with the lush garden, adorned with wisteria and jacaranda blossoms.

Photography by Pablo Veiga
Zen Den Legal Office

Fred Architecture

Welcome to the Zen Den, a newly transformed office space where modern elegance seamlessly intertwines with energy efficiency. What was once a collection of uninspiring, cramped offices has been reimagined into a stunning, functional, and inviting legal workspace. The design of the Zen Den not only reflects a commitment to excellence but also embodies a dedication to environmental responsibility, creating an atmosphere that inspires both productivity and well-being.

Inspired by our client’s passion for Japan and Japanese martial arts, the Zen Den embraces minimalist design principles and natural materials to create a serene and harmonious environment. The layout accentuates the length of the space by aligning key design elements along an east-west axis. This thoughtful design includes east-west laid floorboards, matching Tasmanian oak joinery, and acoustic timber ceiling battens, all of which contribute to the space’s cohesive and elegant aesthetic.

Maximizing passive design opportunities, the existing north-facing openings flood the space with natural light and enhance ventilation. A central dividing wall, strategically positioned away from the north-facing window bays, amplifies the sense of openness. To foster connectivity and flexibility, a super-sized sliding door can disappear into the central wall, allowing for a smooth transition between the support staff and conferencing area and the lounge and personal workspace.

An electric fireplace in the lounge area adds a comforting, homely touch, creating a welcoming environment for clients and staff alike. Every detail in the Zen Den has been carefully curated, ensuring that the space not only meets the functional needs of a modern office but also offers an inspiring and comfortable place to work.

Photography by Tess Kelly
Victoria Place

Integrated Group Services

The 200 Victoria Parade commercial development is a cutting-edge project that comprises an 11-level building with 10 occupied office floors and three basement levels dedicated to car parking. The ground floor is designed as an activated space, featuring a lobby, retail outlets, concierge services, and end-of-trip (EOT) facilities. The building also houses a plant room on the roof, ensuring the seamless operation of its state-of-the-art systems.

This development is committed to achieving the highest standards in sustainability, including a 6-Star Green Star Design and As Built rating, a 6.0-Star NABERS Energy rating for the base building, and WELL Gold Certification for its core and shell. Additionally, the project aims to achieve similar sustainable certifications for the tenancy floors on Levels 1 to 7.

To meet these ambitious sustainability targets, the project incorporates a range of advanced strategies. These include the selection of high-efficiency chillers, regenerative lifts with smart destination control, and a high-performance window system designed to optimise energy use. Over 200 kW of solar PV panels are installed on the roof, and 10 car spaces are equipped with electric car charging infrastructure. The EOT facilities are designed with sustainability in mind, providing 160 bike spaces, 330 lockers, and 21 showers.

Water conservation is also a priority, with fixtures and fittings selected to meet stringent WELS ratings, a 30kL rainwater tank, and a system that recycles at least 80% of fire testing water. The project also prioritises indoor air quality, with at least 50% of the internal paints being ultra-low VOC and real-time monitoring of air pollutants in common areas.

Overall, 200 Victoria Parade sets a new standard in sustainable commercial development, blending high-performance building systems with a commitment to environmental responsibility and occupant well-being.

Photography by John Gollings
Warrawee Passive House

Marvel Homes

Marvel Homes, an innovative NSW-based residential construction company founded by brothers Mo and Ibrahim, specializes in building affordable certified Passive Houses that address critical challenges like energy efficiency, climate resilience, and healthy living environments. The Warrawee Passive House, soon to be certified, exemplifies the company’s commitment to sustainable and accessible homebuilding.

Located on Sydney’s Upper North Shore, this 305 sqm home was designed to meet the needs of a family of five while overcoming the complexities of a battleaxe site. These challenges included the unique site shape, sloped terrain, council approval requirements, and heritage regulations due to its proximity to the renowned Exley House by Harry Seidler. The design features five bedrooms, three bathrooms, and a striking 2.5m cantilever. Marvel Homes led a collaborative approach involving clients, engineers, Passive House consultants, and town planners to create a home that is both functional and energy-efficient.

The Warrawee Passive House achieved an impressive air tightness of 0.41 ACH and is currently undergoing Passive House Plus certification. Marvel Homes’ ‘Lean Passive House’ approach was integral to the project, enabling the construction of an affordable Passive House on a budget of $1.15M (excluding landscaping and approvals). This method simplifies structural solutions to eliminate thermal bridging and integrates Passive House principles throughout the design, reducing overall construction costs.

Warrawee Passive House stands as a testament to Marvel Homes’ vision of making sustainable, energy-efficient homes accessible to more families, offering a model for future-focused design that prioritizes climate resilience and affordability.

Photography by Andy Monck Ambient Media
Union and Mont Albert Level Crossing Removal Project – Union Station

Jacobs

The Union Station, a key component of the Level Crossing Removal Project in Victoria, has garnered exceptional recognition for its sustainability achievements, earning an ISC As Built Score of 101 points and a Six Star Green Star Rating. This remarkable project successfully removed two level crossings by lowering the rail line into a 1.5km open trench, and it consolidated two previously separate train stations into the new premium Union Station. Additionally, the project delivered four new and upgraded community spaces, including a historic plaza featuring the restored Mont Albert station building, as well as new pedestrian and cycling paths.

To achieve these high sustainability ratings, the project was meticulously designed and executed with a strong emphasis on incorporating sustainability initiatives without compromising build quality or user experience. One of the key features of the station is a rainwater tank and a large solar power system installed on the roof, which significantly reduces the station’s reliance on the energy and water networks by supplying much of its energy and water needs.

A critical aspect of the urban design response was ensuring a high-quality user experience for the public. The landscape design was carefully planned to require no irrigation, with a deliberate focus on featuring native and drought-tolerant plant species that are well-suited to the local environment. This not only contributes to the station’s sustainability but also enhances the aesthetic appeal and environmental resilience of the surrounding area.

The project also emphasizes community engagement and enhancement by creating new and upgraded public spaces. The inclusion of a historic plaza, which features the restored Mont Albert station building, adds cultural and historical value to the area, while the new pedestrian and cycling paths improve accessibility and encourage sustainable modes of transport.

Overall, the Union Station project stands as a model of sustainable infrastructure development, demonstrating that it is possible to achieve high environmental standards while delivering a premium public transport facility that enhances the community and respects the environment.

Photography by Level Crossing Removal Project
VANK x Instyle BIO TILE

Instyle Interior Finishes

BIO TILE is a pioneering sustainable sound-absorbing tile made from a biocomposite of flax and hemp fibres, shaped using advanced forming technology to create a dimensionally stable product. This innovative tile serves as an eco-friendly alternative to traditional petroleum-based polyurethane (PU) and polyethylene terephthalate (PET) acoustic solutions, providing the architecture and interior design industry with a product that prioritises ecological impact while delivering high performance.

In an industry heavily reliant on synthetic polymers, which carry significant ecological risks due to their production emissions, BIO TILE stands out by maximising the use of renewable and biological resources. Its 100% biomaterial composition foregrounds circularity and resource efficiency, offering sound attenuation that rivals conventional synthetic materials. The tile harnesses the unique properties of bast fibres, combining hemp and flax biomass with a biopolymer matrix to create an effective acoustic solution.

A key aspect of BIO TILE’s design is its hollow shell construction, which allows for installation with various acoustically porous internal infill panels, utilising existing manufacturing processes and established clip mounting systems for easy attachment to interior wall surfaces. Environmental considerations were central to its development, with hemp chosen for its rapid CO2 absorption capabilities, the use of agricultural waste to reduce processing energy, and production powered by renewable energy to minimise emissions.

BIO TILE represents a shift in the relationship between human design and the natural environment, promoting the use of renewable resources and reducing reliance on synthetic materials. As demand for sustainable interiors grows, BIO TILE’s bio-based composition, superior acoustic performance, and organic aesthetic make it an ideal choice for those seeking to meet both human health and environmental needs. This product not only meets the functional requirements of acoustic solutions but also encourages a more sustainable and mindful approach to building and design.

Photography by VANK
Towradgi Station Upgrade

DesignInc Sydney

Towradgi Station in the Illawarra region has undergone a significant upgrade, transforming it into a more accessible and welcoming facility for the local community. This project, led by the Nguluway DesignInc and DesignInc teams, utilized a Designing from Country methodology, which involved consulting Traditional Custodians to ensure that the station’s design is deeply rooted in the cultural and environmental context of the area.

The upgraded station now features a new footbridge with safety screens, as well as lifts and stairs connecting to the platforms, providing improved access for all passengers. The station includes platform canopies to shelter passengers, an accessible bathroom, and enhanced wayfinding and lighting to improve the overall user experience. The upgrade also supports multi-modal transport, with new bicycle hoops, kiss and ride spaces, and improved pedestrian pathways that link the station to the surrounding streets. The connection to the adjacent pocket park has also been enhanced with new pathways, landscaping, and seating, creating a more integrated and inviting public space.

The project incorporates numerous sustainability initiatives, aligning with the goal of achieving Infrastructure Sustainability Council (ISC) certification. These initiatives include climate change impact assessments, the use of low-maintenance landscaping, and the selection of recycled and low-carbon materials such as ‘green concrete’ and ‘foam concrete.’ The project also achieved a 10% reduction in potable water usage, reflecting its commitment to environmental responsibility. Social sustainability was also a key focus, with strategies designed to be responsive to the needs of the community, including the integration of First Nations stories and adherence to accessibility standards.

Towradgi Station is situated on the land of the Wodi Wodi and Dharawal People. Through consultation with Traditional Custodians, the design of the station was informed by the significance of the ‘seven warriors’ story and the deep connection between the land below the Illawarra escarpment and the ocean. The design reflects the geographic setting, indigenous vegetation, and native fauna, symbolizing the transition from the mountains to the sea. The upper levels of the station evoke the escarpment, while the lower levels reflect the ocean, allowing passengers to experience a symbolic journey from the mountains, through the plains, to the coast—transitioning from sweetwater, through bitter water, to saltwater as they move through the station.

This thoughtful design approach not only enhances the functionality and accessibility of Towradgi Station but also deeply embeds the cultural and environmental narratives of the land, providing a meaningful and enriching experience for all who use the station.

Photography by Sandor Dusz
TERROIR Hobart Office

TERROIR Pty Ltd

TERROIR’s office in lutruwita / Hobart is a radical experiment that confronts the paradox of ‘sustainable architecture’ by embracing a truly zero-carbon approach—building nothing new at all. This project, located between the CBD and waterfront, represents a bold departure from the typical reliance on carbon calculators and low-carbon claims. Instead, TERROIR made the conceptual decision to minimize carbon emissions entirely by reusing and repurposing existing materials and structures, rather than introducing new ones.

Occupying an abandoned 1960s office fit-out, the design concept took shape within the framework of what was already present. All office partitions and materials were retained, and the old wall finishes were stripped away to reveal the beautiful 1960s carpentry underneath. The original glazed partition windows were preserved and reconfigured into a new layout, while residual waste was repurposed to construct new shelving. Electrical and data services were introduced sparingly, further minimizing the environmental impact.

The result is an office fit-out that TERROIR argues is not just low-carbon by calculation, but genuinely zero-carbon in practice. This approach challenges the conventional notion that sustainability is primarily a technical issue, proposing instead that it is fundamentally an aesthetic one. TERROIR advocates for finding beauty in the accidental and the contingent, rather than striving for perfection. This philosophy allows for the exploration of new forms and spaces that prioritize reuse over new construction, emphasizing the value of existing resources.

In this project, resources were directed towards the craftsmanship of contractors rather than the acquisition of new materials. Though small in scale, the project stands as a powerful manifesto for a different kind of architectural practice—one that is increasingly urgent in the context of global environmental challenges. The lessons learned from this office are already informing larger projects, as TERROIR continues to seek ways to create places that foster meaningful interactions between people and their environments while using fewer resources than ever before.

Photography by Brett Boardman
Towradgi Station Upgrade

DesignInc Sydney

Towradgi Station in the Illawarra region has undergone a significant upgrade, transforming it into an accessible and welcoming facility for the local community. The project was a collaborative effort between Nguluway DesignInc and DesignInc, who employed a Designing from Country methodology. This approach involved consulting Traditional Custodians to ensure that the station’s design respectfully incorporates local Indigenous stories and connections to the land.

The upgraded station now features a new footbridge with safety screens, lifts, and stairs that connect to the platforms, providing improved access for all passengers. Platform canopies offer shelter from the elements, and an accessible bathroom, enhanced wayfinding, and improved lighting further contribute to the station’s user-friendly design. The upgrade also supports multi-modal transport with the inclusion of bicycle hoops, kiss and ride spaces, and improved pedestrian pathways that link the station to the surrounding streets. Connections to the adjacent pocket park have been enhanced through the addition of new pathways, landscaping, and seating, creating a more integrated and inviting environment.

Sustainability was a key focus of the Towradgi Station upgrade, with numerous initiatives aimed at achieving Infrastructure Sustainability Council (ISC) certification. Environmental measures included climate change impact assessments, the use of low-maintenance landscaping, and the incorporation of recycled and low-carbon materials such as ‘green concrete’ and ‘foam concrete.’ Additionally, the project achieved a 10% reduction in potable water usage. Social sustainability was also prioritized, with the integration of First Nations stories and adherence to accessibility standards, ensuring the station is responsive to the needs of the community.

Towradgi Station sits on the land of the Wodi Wodi and Dharawal People, and consultation with Traditional Custodians revealed the significance of the ‘seven warriors’ story and the deep connection to the land stretching from the Illawarra escarpment to the ocean. The station’s design symbolically represents this transition from mountains to sea, with the upper levels of the station reflecting the escarpment and the lower levels evoking the ocean. As passengers move through the station, they experience a journey that mirrors the natural landscape—from the mountains through the plains to the coast, and from sweetwater to bitter water to saltwater.

This thoughtful design not only enhances the functionality and accessibility of Towradgi Station but also deeply embeds the cultural and geographical narratives of the land, providing a meaningful and enriching experience for all who pass through.

Photography by Brett Boardman
T3 Collingwood

Jackson Clements Burrows Architects

T3 Collingwood is a thoughtfully designed 15-level commercial building that responds sensitively to its rich industrial context while enhancing Collingwood’s urban streetscape and sense of community. The building features an activated ground plane on Wellington Street, offering cafes, restaurants, and other public amenities, fostering a lively and engaging environment. The design, which integrates a 5-level brick and concrete podium with a 10-level lightweight mass timber structure above, draws inspiration from the area’s distinctive character. The brick podium seamlessly blends into the streetscape, while the glazed curtain wall tower above reflects the emerging trend of mixed-use residential and commercial buildings in the surrounding area.

A key architectural decision was to align the northern façade of the podium with a neighbouring heritage building, creating a wider ground plane and a welcoming entry with a civic feel. The tower above cantilevers over this setback, defining the entry pathway and enhancing the building’s presence. The use of red brick in the podium, terracotta in the window shades, and shading fins on the upper façade creates a cohesive and confident colour block that contributes to the building’s industrial and robust aesthetic.

Inside, the building continues this material palette with brick, galvanised metal, concrete, and timber, creating efficient, functional, and flexible floorplates that are bathed in natural light. The design includes ground floor food and beverage options and end-of-trip (EOT) facilities, with terraces that step back at higher levels, providing outdoor spaces for occupants. The warm timber interiors foster a calming atmosphere and biophilic connections, promoting occupant wellbeing—a feature not typically associated with high-rise office buildings.

T3 Collingwood represents a new generation of carbon-conscious commercial spaces, embodying the vision of its developer and design team. The project’s completion marks a significant contribution to the community and a positive evolution in sustainable, high-quality urban development.

Photography by John Gollings, Tom Blachford
Sydney Swans HQ

Populous

The Royal Hall of Industries (RHI) in Moore Park, originally established by the Royal Agricultural Society, has been a cornerstone of Sydney’s civic life, serving various roles from an exhibition hall to a ballroom. However, in recent years, the hall had fallen into disrepair and was closed to the public. Now, in its new incarnation as the Sydney Swans HQ sporting and recreational centre, the RHI has been revitalised, breathing new life into this historic building.

The redevelopment of the RHI aligns with sustainable design principles, focusing on adaptive reuse and restoration. The project has preserved the iconic steel roof and repurposed the main hall, adding a new international-standard basketball and multipurpose court. The facility is now a community asset, offering year-round programming and open access to fans and visitors. The centre also houses a permanent Life Blood Donor Centre, the GO Foundation, and the Clontarf Foundation, organisations dedicated to empowering Indigenous and Torres Strait Islander youth through sports and education. These initiatives reflect the Sydney Swans’ commitment to inclusivity, as outlined in their reconciliation and discrimination action plans.

With a 5-star Green Star certification, the Sydney Swans HQ exemplifies the adaptive reuse of historical architecture, ensuring the RHI’s relevance for the next 25 years and beyond. This project underscores Sydney’s dedication to sport, community engagement, and sustainable architecture.

Photography by Scott Burrows Photography
T Home

Relink Architects PTY LTD

Design serves as the bridge that harmonizes nature, art, and everyday life, infusing our environments with joy and individuality while enhancing both the practical and aesthetic value of space. When home design transcends mere form, it aligns more closely with our true intentions—comfort and warmth. In our quest for belonging within a city, we seek spaces that offer not just physical shelter but also emotional security from the moment we step inside.

As the saying goes, “The body and soul always need somewhere on the road,” and in a thoughtfully designed home, both find ample rest and care. This space becomes a sanctuary where design nurtures our well-being, providing a refuge that satisfies our deepest need for comfort, connection, and a sense of place.

Photography by Bowen
Sweetwater House

Jackson Clements Burrows Architects

Sweetwater House, located in Frankston South on Bunurong Country, is a thoughtfully designed residence that balances flexibility, sustainability, and multi-generational living. Backing onto the regionally significant Narringalling (Sweetwater Creek), the home offers a unique connection to the surrounding bushland, providing a serene and immersive living experience for its maturing family occupants.

The design reflects a pared-back material palette and clean lines, resonating with the mid-century architectural context of the area, including nearby iconic works like Robin Boyd’s ‘McClunes House.’ Large windows and clear sightlines to the creek integrate the indoor and outdoor spaces, fostering a deep connection with nature and elevating the daily lives of its residents.

Constructed using prefabricated Cross-Laminated Timber (CLT) from PEFC-certified plantations in Southern New South Wales, Sweetwater House embodies both ecological and personal renewal. The use of 66.8m³ of CLT sequesters 49.42 tonnes of CO2, resulting in a total negative embodied carbon emission of 32.86 tonnes, even after accounting for manufacturing energy. This mass-timber construction not only offers sustainability but also ensures cost-effectiveness and supply chain security.

The home is fully electric, powered by a next-generation AC PV system that generates more energy than the family’s daily needs. The timber-clad exterior, complemented by surrounding tree ferns and eucalypts, creates a welcoming and tranquil atmosphere. The nearby Sweetwater Creek, currently undergoing rehabilitation, forms a vital part of the local community, offering a unique natural environment that enhances the home’s design and the well-being of its residents.

Photography by Tom Blachford
Sydney Swans HQ

Populous

The Royal Hall of Industries (RHI), a historic landmark in Moore Park, has been revitalised as the Sydney Swans HQ, blending the building’s rich heritage with modern sustainability. Once a vibrant hub for various events, the RHI had fallen into disrepair and was closed to the public. Now, through a project centred on adaptive reuse, the iconic red-brick structure has been transformed into a state-of-the-art sporting and recreational centre. The renovation preserved key elements like the steel roof while introducing new features such as an international-standard basketball court.

The Sydney Swans HQ now offers year-round programming and public access, reinforcing its role as a community asset. It also houses a Life Blood Donor Centre, the GO Foundation, and the Clontarf Foundation, organisations committed to supporting Indigenous and Torres Strait Islander youth through sports and education. These initiatives align with the club’s reconciliation and discrimination action plans, promoting inclusivity.

With a 5-star Green Star certification, the redevelopment underscores the city’s commitment to sustainability and community engagement. The Sydney Swans HQ not only preserves the RHI’s legacy but also establishes a new home for the club, ensuring its relevance for the next 25 years and beyond.

Photography by Scott Burrows Photography
Surry Hills – 2.0

BOX Design Studio

This project showcases the challenge and success of transforming a Victorian terrace house in Sydney into a sustainable home while adhering to strict heritage controls. In an ideal world, every home would meet green star ratings or Passive House standards, but much of Sydney’s housing consists of existing buildings, often located in heritage conservation areas. This renovation exemplifies how heritage constraints can be navigated to achieve modern, sustainable living without compromising historical integrity.

The project focused on preserving the existing structure and restoring original Victorian features, such as fireplaces, kauri pine floorboards, internal doors, and external heritage windows and doors. By minimizing demolition waste and retaining these elements, the renovation balanced sustainability with historical preservation.

Despite the limitations imposed by heritage controls, the design creatively integrated sustainability measures suitable for a Victorian terrace house. This included thoughtful material sourcing, innovative implementation, and a focus on ongoing maintenance, ensuring that sustainability was embedded from the project’s inception through its continued use.

The result is a future-proof home that enhances livability through upgraded amenities while maintaining the charm and integrity of its Victorian roots. This renovation demonstrates that sustainable practices can be effectively incorporated into heritage properties, offering modern comfort and wellbeing while respecting the historical fabric of the home.

Photography by Brian Heavin & Josh McGuigan
Sweet Lu

Relink Architects PTY LTD

The design draws inspiration from the natural world, seamlessly integrating elements of vegetation into the overall space, from ground to facade. This is achieved through the use of soft, curved structures that flow across various areas, creating a sense of natural harmony and evoking a fairy-tale-like romance. The result is a space where tenderness and elegance are omnipresent, offering a visually soothing and enchanting experience.

The interior lighting design adds another layer of depth and richness, enhancing the overall atmosphere with its dynamic and varied approach. The special lighting techniques, particularly those on the ceiling, are designed to resemble tender flower buds, casting a dreamy and sweet glow throughout the space. This thoughtful integration of lighting and architectural forms creates a captivating environment that feels both magical and inviting, enveloping occupants in a sense of warmth and serenity.

Photography by Frank Wang
Steffen Welsch Architects

Steffen Welsch Architects

Steffen Welsch Architects, established in 2001, has earned a reputation in Australia for its unwavering dedication to sustainable design across residential, educational, and aged care projects. Steffen Welsch, a graduate of Bauhaus University, brought his central European sensibilities to Australia in 1993, where his work is deeply influenced by the principles of community and environmental harmony. Drawing inspiration from Austrian architect Hermann Czech, Welsch advocates for an “Architecture as Background” philosophy, ensuring that buildings complement and enhance their surroundings rather than dominate them.

The firm’s approach is deeply rooted in the belief that architecture should foster human interaction and ecological well-being. This is achieved through careful integration with the environment, thoughtful material selection, and a focus on enhancing both the social and environmental contexts. Sustainability, for Steffen Welsch Architects, is not just a goal but an ongoing process. This process involves innovation, adaptation, and a comprehensive lifecycle perspective—from the initial sourcing of materials to their eventual recycling.

Collaboration with stakeholders is key to the firm’s methodology, ensuring that each project is environmentally responsible and sensitive to its context. Practices such as optimizing energy efficiency through passive solar design, minimizing environmental impact through material choices, and conducting thorough post-construction evaluations, life cycle assessments, and biodiversity plans are central to their work.

Steffen Welsch Architects views sustainability as a dynamic and continuous journey, emphasizing adaptability and holistic thinking. Welsch’s involvement in Australian Architects Declare, a charity focused on climate action and biodiversity loss mitigation through architectural practice, underscores the firm’s commitment to leading the industry towards a more sustainable future.

Photography by Tatjana Plitt
Supermanoeuvre

Supermanoeuvre

Supermanoeuvre is a globally recognized, award-winning architecture and innovation practice with operations based in Sydney and Canberra, Australia. The firm collaborates with government and private sector clients to create distinctive places, buildings, and objects. Renowned for being at the cutting edge of design and fabrication technology, Supermanoeuvre pioneers the development of new design-material systems that aim to achieve climate-positive outcomes.

The practice has earned international acclaim, representing Australia at the Venice Architecture Biennale in 2012 and at the Beijing Architecture Biennales in 2008 and 2010. Their research and innovative work have been showcased at prestigious venues such as Paris’ Centre Pompidou and New York’s Storefront for Art and Architecture. The directors of Supermanoeuvre are respected thought leaders, having lectured at esteemed institutions including the Architectural Association, University College London (Bartlett), Columbia University, and Princeton University. Their contributions to architectural theory have been featured in prominent publications like *Log Journal for Architecture*, and artefacts from their design innovations are included in the permanent collection of FRAC Orléans, France.

Currently, Supermanoeuvre is engaged in several forward-thinking projects: developing an adaptive system of ‘micro-icons’ for public spaces in Hobart, creating a large-scale robotic 3D-printed fabric formwork system, and designing innovative offshore floating wind turbines. These projects reflect the firm’s commitment to pushing the boundaries of architecture and technology, while contributing positively to the environment.

Photography by Michael Lyrenmann
Spicy Joint

Relink Architects PTY LTD

The design choices in this space skillfully blend and deconstruct two contrasting hues to evoke an elegant and mysterious ambiance. Flowing lines, thoughtfully incorporated into the design, awaken romantic inclinations in a modern context, offering diners the opportunity to savour both the flavours and the memories created within the space.

The layout, decor, and vibrant red hues converge to form the heart of the space, creating a dynamic interplay between the environment and its guests. This symbiotic relationship not only seamlessly connects variations in vertical space but also infuses the atmosphere with a vivid, memorable quality. The result is a space where the experience of dining transcends the meal itself, leaving a lasting impression that enhances the brand’s identity in the minds of its patrons.

Photography by Frank Wang
SpinFix

Autex Acoustics

Dedicated to continuous innovation and the exploration of new materials and processes, we have developed SpinFix™, a revolutionary RePET mounting clip designed specifically for acoustic panels. SpinFix represents the next step in sustainable building solutions, enabling the installation of acoustic panels without the need for adhesives. The clips are attached through a friction welding process, ensuring a secure fit while maintaining the integrity and recyclability of the panels.

At the heart of this innovation is our pioneering first-in-class recycling process, known as pelletisation. This process allows us to transform manufacturing offcuts of PET felt into PET injection moulding pellets, which we have branded as RePET. By utilising RePET in the creation of products like SpinFix, we not only reduce manufacturing waste but also contribute to a circular economy by ensuring that acoustic panels can be easily repurposed or recycled at the end of their lifecycle.

SpinFix™ exemplifies our commitment to sustainability and innovation, offering a practical and eco-friendly solution that reduces waste and enhances the recyclability of building materials. Through continuous research and development, we aim to push the boundaries of what is possible in sustainable design and manufacturing.

Photography by Autex Acoustics
Sophie Canaris

Dunn & Hillam Architects

Sophie Canaris is an architect at Dunn & Hillam Architects, specializing in arts and community projects across Sydney, regional New South Wales, and London. Her work is deeply rooted in sustainability and adaptive reuse, reflecting a commitment to environmentally responsible design. Beyond her project work, Sophie is actively involved in the architectural community through her roles on the Emerging Architects and Graduates Committee and the Built Environment Committee for the New South Wales chapter of the Australian Institute of Architects. These positions allow her to contribute to the profession’s development, particularly in fostering new talent and promoting sustainable practices in architecture.

Photography by

Spectrum House

TKCA Architect

Spectrum House is an innovative residential project that exemplifies the seamless integration of form, technology, and sustainable materials to create an eco-friendly living environment. This project sets a new benchmark for sustainable design in a residential context, showcasing best practices in sustainability while optimizing the living experience for its residents.

The design of Spectrum House incorporates a variety of sustainable technologies and materials that highlight its commitment to environmental responsibility. The use of Green Certified Composite Biowood for exterior cladding and folding doors demonstrates a focus on durability, recyclability, and eco-friendliness. Additionally, the use of PEFC-certified wood for timber doors and decking aligns with sustainable forestry practices, ensuring that the materials used contribute to the preservation of natural resources.

In response to Malaysia’s tropical climate, the building’s orientation is carefully planned to minimize heat gain. Double brick fin walls on the east and west facades further reduce heat transmission, while louvres and low-e glass windows on the north and south facades maximize cross ventilation and natural daylight, contributing to a more comfortable and energy-efficient living space.

Spectrum House features an array of key sustainable technologies, including a 101-photovoltaic panel system that provides clean energy, a 22kW EV car charger, and an integrated Lutron smart home system with motion sensors and adjustable lighting to conserve energy. Rainwater harvesting and solar-powered landscape lighting further enhance the building’s eco-friendly profile, ensuring that the residence operates with minimal environmental impact.

Beyond its technical achievements, Spectrum House is designed to be more than just a residence; it is envisioned as a living gallery that fosters family bonding and creates cherished memories. By adhering to high standards of sustainability and environmental responsibility, Spectrum House offers a model for future residential projects, demonstrating how eco-friendly living can be both functional and inspiring.

Photography by Heartpatrick
Skyblox Co-Living Housing

TKCA Architect

Photography by pixelaw photography
Skyblox Co-Living Housing

TKCA Architect

SkyBlox Co-living Housing in Kuala Lumpur is a pioneering project that merges innovative design with sustainable principles to transform urban living. With its striking yellow cantilever prefab construction, SkyBlox provides accommodation for over 500 residents across 320 bespoke en-suite rooms, seamlessly integrating modernity with nature. The project embraces a “Back to Nature” concept, blurring the boundaries between indoor and outdoor spaces. Communal areas, featuring bare brick walls and abundant greenery, create a rustic charm that enhances residents’ connection to the natural environment.

Central to SkyBlox is “Vibrant Communal Living,” designed to enrich residents’ experiences and encourage social interaction. The dynamic color palette and features like the “SkyBox” pavilion energize the environment, while cross ventilation and natural daylighting create inviting communal spaces. A central courtyard serves as the community’s heart, fostering a sense of belonging.

SkyBlox’s commitment to sustainability is evident in its use of Prefabricated Prefinished Volumetric Construction (PPVC), which minimizes waste and on-site activities, aligning with United Nations Sustainable Development Goals (SDGs). The project also incorporates functional and aesthetic wall signage, enhancing both guidance and visual appeal.

Overall, SkyBlox exemplifies how architecture can harmonize with nature and sustainability, setting a new benchmark for urban housing that promotes greener, healthier, and more connected communities.

Photography by pixelaw photography
Sika® Stabilizer-440 RCR

Sika Australia Pty Ltd

Sika® Stabilizer-440 RCR is an innovative admixture designed to convert returned concrete in its fresh state into solid granules, which can be repurposed as other building materials. This breakthrough solution is conveniently packaged in water-soluble bags, allowing for easy and direct discharge into concrete trucks. It is compatible with all cement types and mix designs, making it a versatile option for ready-mixed concrete returned from construction sites across various projects.

The application process is simple and efficient: after adding the admixture to the returned concrete, a mixing time of just 3–8 minutes is required. Once mixed, the treated concrete can be unloaded and reprocessed using standard machinery available at any concrete plant. This streamlined process enables quick conversion of what would otherwise be waste concrete into reusable materials, significantly reducing downtime and enhancing productivity.

A key advantage of Sika® Stabilizer-440 RCR is its ability to drastically cut costs and save time for concrete users and manufacturers. By treating returned concrete before it hardens, the need for expensive and time-consuming disposal processes is eliminated. This not only results in financial savings but also optimizes resource usage, promoting greater efficiency and sustainability within construction projects. Sika® Stabilizer-440 RCR is a valuable tool for reducing waste and enhancing the eco-friendliness of construction operations.

Photography by Chachi Tilocca
Skyblox Co-Living Housing

TKCA Architect

SkyBlox Co-living Housing in Kuala Lumpur is a pioneering project that redefines urban living through innovative design and a strong commitment to sustainability. With its distinctive yellow cantilevered prefab construction, SkyBlox accommodates over 500 residents in 320 bespoke en-suite rooms, offering a unique blend of modernity and a deep connection to nature.

Central to SkyBlox’s design is the “Back to Nature” concept, which seeks to blur the boundaries between indoor and outdoor environments. This approach is evident in the communal areas, where bare brick walls add a rustic charm that harmonizes with the surrounding landscape. These spaces are thoughtfully integrated with greenery and abundant natural light, enhancing residents’ well-being and fostering a strong emotional connection to nature.

The “Vibrant Communal Living” philosophy is another cornerstone of SkyBlox, designed to enrich the resident experience and encourage social interaction. A dynamic color palette and standout features, such as the “SkyBox” pavilion, create an environment that energizes and uplifts. The design also emphasizes cross ventilation and ample natural daylighting in common areas, making these spaces inviting and comfortable. The central courtyard serves as the heart of the community, providing a focal point for social gatherings and interactions.

SkyBlox’s commitment to sustainability is demonstrated through the use of Prefabricated Prefinished Volumetric Construction (PPVC). This innovative construction technique significantly reduces waste and minimizes on-site construction activities, aligning with several Sustainable Development Goals (SDGs) set by the United Nations. The integration of functional wall signage that enhances both navigation and aesthetics further contributes to the project’s overall functionality and visual appeal.

In essence, SkyBlox sets a new benchmark for urban housing developments, showcasing the seamless integration of architecture, nature, and sustainability. The thoughtful design and community-focused features not only improve the quality of urban living but also serve as a model for future developments worldwide. SkyBlox stands as a testament to the potential of architecture to create greener, healthier, and more connected communities, inspiring a new vision for urban housing.

Photography by pixelaw photography
Rumah Kechik

Kaizen Architecture

Rumah Kechik, located in the UNESCO World Heritage City of Malacca, Malaysia, is a masterful conservation and adaptive reuse project that revitalizes three 200-year-old shophouses as an extension of an existing hotel. This project, which houses a new restaurant and social spaces, skillfully integrates new elements while preserving the historical character of the original structures, creating a seamless blend of old and new.

The name “Rumah Kechik,” meaning “small house” in traditional Malaysian culture, refers to secondary houses attached to main residences, a concept reflected in the relationship between this new extension and the parent hotel. The original layout of the three distinct shophouses inspired a linear arrangement of spaces, progressing from the front of the buildings to an open rear courtyard. In restoring the shophouses, steel framing was carefully inserted to strengthen the existing structures without detracting from their historic integrity.

A key feature of the restoration is the reintroduction of a double-height internal courtyard in the central shophouse, a design element typical of shophouses in the region. This was achieved by strategically removing a portion of the existing second-storey slab, creating a dramatic entrance and enhancing the spatial experience. Additionally, internal fenestrations and portals were carved into the existing party walls, improving visual connectivity and allowing daylight to permeate the interiors, significantly enhancing natural illumination.

The project also emphasizes sustainability and craftsmanship by showcasing original 200-year-old brickwork, exposed by removing plaster to address issues with high-water table absorption. Local materials, including decorated tiles, pebble-wash, timber, and repurposed clay roof tiles used for feature screens, were carefully selected to support sustainable practices and honor local craftsmanship.

Rumah Kechik stands as a testament to the careful balance of preservation and innovation, offering a contemporary yet respectful addition to Malacca’s rich architectural heritage. The project not only revitalizes historical structures but also enhances the cultural and social fabric of the city, providing a unique and immersive experience for visitors and locals alike.

Photography by Finbarr Fallon
Sapling

Anderson Architecture

Sapling stands as a beacon of sustainability in residential design, achieving the prestigious Passivhaus Premium certification. This architecturally striking home, tailored for a growing family in Sydney’s inner west, exemplifies how sustainable building practices can be seamlessly integrated into everyday living. Through the implementation of Passivhaus principles and the installation of solar panels, Sapling produces more energy than it consumes, offering year-round thermal comfort while preserving the indoor-outdoor lifestyle cherished by its inhabitants.

Originally designed around two mature trees—a Jacaranda and a Cheese Tree—Sapling faced an unexpected challenge when the Cheese Tree had to be removed due to structural defects. In its place, a new sapling was planted, symbolizing renewal and growth. The home’s design echoes this transition, breathing new life into the site and demonstrating a more efficient way of building and living.

Sapling’s north orientation maximizes sunlight and daylight access, with high-performance windows and glazing aiding in passive solar heating. Operable glazing throughout the home allows for natural ventilation, while a high level of airtightness and a heat recovery ventilation (HRV) system ensures fresh air circulation when windows are closed. The house’s Cross-Laminated Timber (CLT) structure, wrapped in woodfibre insulation and sustainable cladding, contributes to a negative Global Warming Potential of approximately -0.03kg CO2 eq.

The home also features low VOC paints, recycled material benchtops, cork flooring, and carbon-neutral concrete, creating a healthy and environmentally responsible living environment. Sapling serves as a sanctuary for its residents, supporting their health and well-being while minimizing its ecological footprint, making it a model of sustainable living in an urban setting.

Photography by Tom Ferguson
Riverhead Project

Ryse Construction + Macfie Architecture and JSC

The Riverhead Project in Riverhead, Auckland, New Zealand, is a transformative architectural endeavor that exemplifies the power of collaboration and sustainable design. Led by Ryse Construction, Macfie Architecture, and JSC under the guidance of Matt Nicholls, this project reimagines a modest garage into a modern, sustainable space that harmoniously integrates with its lush surroundings.

At the heart of the Riverhead Project is the use of TMT Tulipwood, finished with JSC Scumble Wood Oil Colour, which lends a sophisticated yet natural aesthetic to the structure. This choice of materials not only enhances the architectural elegance but also underscores a deep respect for the local environment. The project stands as a testament to environmental stewardship, seamlessly blending modern design with sustainable practices.

Functioning as a versatile community hub, the Riverhead Project goes beyond its immediate architectural function, serving as a new benchmark for adaptive reuse in the field. The innovative use of sustainable materials and design techniques reflects a strong commitment to reducing environmental impact while maintaining a high standard of functionality and beauty.

The success of this project highlights the expertise and close collaboration between Ryse Construction, Macfie Architecture, and JSC. The photography by Sam Laurent captures the essence of the project, showcasing its seamless integration with the environment and its architectural sophistication.

The Riverhead Project is a shining example of functional sustainability, innovative design, and environmental sensitivity. Its thoughtful execution and transformative impact make it a compelling candidate for the International Design Award, representing a new frontier in adaptive reuse and sustainable architecture.

Photography by Sam Laurent
Redfern Station Upgrade

DesignInc Sydney

The recent upgrade of Redfern Station, a significant transport hub in Sydney, is part of the NSW Government’s Transport Access Program, focusing on inclusivity, connectivity, and sustainability. The station’s redevelopment includes a new southern concourse and entrances at Little Eveleigh and Marian Streets, designed to enhance access and integrate high-quality amenities while honoring the area’s natural, cultural, and built heritage. This project has achieved an Excellent Design IS Rating from the Infrastructure Sustainability Council, aligning with NSW’s goals for a low-carbon future by delivering on environmental, economic, and social sustainability.

The design of the station draws inspiration from Eveleigh’s historical wetland and industrial past, with notable features like the adaptive reuse of an old warehouse at 125-127 Little Eveleigh to accommodate new station facilities. Improvements to pedestrian and bicycle zones enhance local accessibility, blending Indigenous, natural, industrial, and contemporary heritage to foster a vibrant community atmosphere.

The station’s climate-responsive design features durable materials for the concourse and stairs that facilitate natural airflow. Water Sensitive Urban Design (WSUD) principles are also incorporated, including planting beds, raingardens, solar panels, and rainwater storage systems for irrigation, toilets, and cleaning. Additionally, the transformation of the Marian Street public space and Little Eveleigh Street into landscaped shared zones with improved amenities helps to reduce the urban heat island effect, making these areas more comfortable and environmentally friendly for the community.

Photography by Brett Boardman



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